![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSCG9snFe2ZFqiDB5-9bQF3hOzZFQskZ4KAXkpXiv_wfZ79kBJiZSowKIe8Dj3bCK3RmgjSrJSvLu6DTGwC-LqG8dvf3V8AuFSu9tryp99leXR9fcqbSsKwC_6TTQwLrGHkgM8Q8wc79E/s200/CJ+1.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_2BHJHe44bwj0xf_iOPohy3bka9siI06VeVdkcqCZK9rmIuYYVcOLQu7dvtX5Xb6cE_BPAvAoGiWObZPsCuyC4OGehyphenhyphenPjf56rszMMJf1FPgDTNPksJdYOHit2eArDtdud7e1oR_qRlRc/s200/CJ+2.jpg)
Usually it began like this. Two spindly women clattering in their stack heels give chase. Julie's garb is the ammonia-smelling wardrobe of the junkshop. Celine is one of those dangly women, made of lolling lips, feathercut and bosoms.
I tried to write a thing about Jacque Rivette's lovely, extravagent Celine and Julie Go Boating. At the moment, it's still stuck in that not-yet-ready stage: gross generalisations and cod mysticism. For now, there's plenty of ponderous Deleuzing elsewhere on the 'net.
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