Saturday, October 24, 2009
Monday, December 8, 2008
Sunday, November 16, 2008
SIMPLETON PLEASURES

We did it. We're here! On the back end of a week of chronic social discomfort and headspin, I'm reclining in my Euro-tastic new apartment in the Erzsébetváros. Although I had planned to document the initial adaptation process, inside-outside anthropology-style, I (with a characteristically drippy excuse) simply couldn't find the appropriate notepad.
We now live off an ochre-ish courtyard in Budapest's VII district, in a studio apartment with a bath in the middle of the room. Now, armed with a 18HUF yellow exercise book, allow me to take you on a tour of our new neighbourhood. Roll your eyes heavenward as your host - very definitely the awe-struck provincial - marvels at the 24 hour supermarket (0-24 élelmiszer) at the end of her street, the utterly decent bar across the way and the mack-off (second biggest in the world) synagogue down the road.
For future reference, you can view pictures of confectionary, buildings and fairground kitschery, as well as pseudo-exploitative photos of my boyfriend, Joe, (amongst other things) at my Flickr here.
* And the relevance of the picture at the top of this entry? Well, I like to sample my cultural difference at the supermarket - here the milk (tej) is sold, udder-style, in bags. You slide it into a jug, snip the top, then chill in the fridge.
Monday, September 22, 2008
In Every Tourer Caravan a Portatoilet: The Roxy Music Story

On Saturday I watched More Than This: The Roxy Music Story. I'm certain the BBC only have the one narrative arc for these rockumentaries, interspersing the talking heads with stock footage of Thatcher, the Miner's Strike, football hooligans or the generalised white dog shit Britain of the 1970s, as chronologically appropriate. The social realist rags to outrageous riches yarn is British pop music's favourite bedtime story and Bryan Ferry's is pretty outré, “escaping” Tyne and Wear for art college, then London, Jerry Hall, Bel Air, Miss World, Marks and Spencer &c &c &c.
However, what interested me wasn't so much the fabulously strange records of Roxy's early career - Ladytron, Virginia Plain, In Every Dream Home a Heartache and Do the Strand – but their other lineage, the one that held vast appeal for the core 35 – 44 audience of medium wave radio stations specialising in smooth, contemporary classics. During my early nineties childhood, grotesqueries like Dance Away, Avalon and More Than This were still in heavy rotation on Yorkshire Coast Radio. As the hiss n' crackle soundtrack to summers spent in a tourer caravan on the coast of Filey, those records, along with Weather With You by Crowded House, Spandau Ballet's True, Hazard by Richard Marx and Save the Best for Last by Vanessa Williams, still smell of car sick, soft furnishings and boredom. And I'll never be able to associate them my Dad's copy of Virginia Plain on lilac 7”, which was the mainstay of our front room discos on nights that mum was at work.
Friday, August 8, 2008
Monday, July 28, 2008
Hex Induction Hour
Professor Hex compiles strangenesses here
The Heavy Stuff searches for wonder with Husserl
The Anomalist
News from a lost neighbourhood
File under: the Rightful Uses of the Internet.
P.S. On a related sidenote, here's a snippet from the most incongruous of publications, the Yorkshire Post, about West Yorkshire spiritualists.